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#43
#43

Kiss Kiss Bang Bang

Shane Black2005

Rotten Tomatoes

84%

Box Office

$15.8M

Budget

$15M

MCU Impact

Direct

Robert Downey Jr.Val KilmerMichelle Monaghan
All 25 Films

Why It Ranks

Kiss Kiss Bang Bang resurrected Robert Downey Jr. and led directly to Iron Man. Val Kilmer's Gay Perry is the coolest character in 2000s comedy. Shane Black's meta-noir dialogue is unmatched. The film flopped and then changed Hollywood forever. Comedy's butterfly effect at its finest.

The Film

Kiss Kiss Bang Bang is the film that saved Robert Downey Jr.'s career. Shane Black's directorial debut is a meta-noir comedy set in Hollywood, where a petty thief accidentally auditions for a movie, gets paired with a gay private detective named Gay Perry, and stumbles into a real murder mystery. The film breaks the fourth wall, mocks its own genre conventions, and features the sharpest dialogue of the 2000s.

Val Kilmer's Gay Perry is one of the great underrated comedy performances — a tough, competent detective who happens to be gay and is perpetually exasperated by Downey's incompetence. Their chemistry crackles. Downey's narration — where he constantly forgets details, backtracks, and argues with himself — is a masterclass in unreliable storytelling that predates Deadpool by a decade.

The film flopped in 2005 because Warner Bros. released it in only 600 theaters with minimal marketing. But it proved to Jon Favreau that Downey could carry a blockbuster, directly leading to his casting as Tony Stark in Iron Man. Without Kiss Kiss Bang Bang, there is no Marvel Cinematic Universe. The most consequential box-office failure in Hollywood history also happens to be one of the funniest films of its decade.

Fun Facts

Jon Favreau has said that watching Kiss Kiss Bang Bang convinced him to cast Robert Downey Jr. as Tony Stark in Iron Man.

Val Kilmer improvised many of Gay Perry's best insults — his chemistry with Downey was so strong they rarely needed second takes.

Shane Black's original script was 170 pages — he cut nearly a third of it to reach a manageable runtime.

The film's title comes from a 1966 Italian film review collection by Pauline Kael — the phrase describes the two essential elements of a thriller.

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