Why It Ranks
Shaun of the Dead perfected the genre comedy by being equally excellent as a horror film, a rom-com, and a buddy movie. Edgar Wright's visual comedy is unmatched. The Queen fight scene is the funniest genre sequence of the century. It launched the Cornetto Trilogy and proved that British comedy could conquer the global market.
The Film
Shaun of the Dead is the most perfectly executed genre comedy of the 21st century — a zombie film that is genuinely scary, a romantic comedy that is genuinely sweet, and a bromance that is genuinely moving, all operating simultaneously without any of the three elements undermining the others. Edgar Wright's direction is so precise, so rhythmically inventive, and so densely packed with visual gags that it rewards infinite rewatching.
Simon Pegg's Shaun is the ultimate slacker hero — a man whose life is already zombie-like before the actual zombies arrive. He shuffles to the shop, shuffles to work, shuffles to the pub. The genius of the opening act is showing how little changes when the dead rise. The film's most famous shot — Shaun walking to the shop, oblivious to the chaos around him — is a joke about modern disconnection disguised as a zombie gag.
Nick Frost's Ed is the heart of the film — a lovable, useless best friend whose loyalty is total and whose competence is zero. The scene where Shaun has to kill his mother, who has been bitten, is genuinely heartbreaking. The scene where they beat a zombie to death with pool cues synchronized to Queen's 'Don't Stop Me Now' is the funniest action sequence in any comedy. Wright proved that genre mash-ups do not have to compromise. You can have all the zombies and all the feelings if you are skilled enough.
Fun Facts
Edgar Wright hid so many visual gags and foreshadowing details that fans are still finding new ones twenty years later.
The Winchester pub was a real pub — the crew had to redecorate it and then restore it after filming.
George Romero, the godfather of zombie cinema, loved the film and gave Pegg and Wright cameos in Land of the Dead.
The film was written by Pegg and Wright in just six weeks while simultaneously working on the TV show Spaced.
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