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#28
#28

The Fugitive

Andrew Davis1993

Rotten Tomatoes

96%

Box Office

$368M

Budget

$44M

Oscar (Jones)

1

Harrison FordTommy Lee JonesSela Ward
All 25 Films

Why It Ranks

The Fugitive is the perfect chase film. Harrison Ford’s desperate determination and Tommy Lee Jones’s Oscar-winning pursuit create the best cat-and-mouse dynamic in action cinema. The train crash is an all-time practical effects achievement, and the film’s 96% on Rotten Tomatoes confirms it has lost none of its power.

The Film

The Fugitive is a relentless chase film elevated by two of the finest performances in action cinema history. Harrison Ford plays Dr. Richard Kimble, a surgeon wrongly convicted of his wife’s murder who escapes a prison transport and sets out to find the real killer. Tommy Lee Jones is Deputy U.S. Marshal Samuel Gerard, the brilliant, sardonic lawman tasked with hunting him down. The genius of the film is that both men are sympathetic — you root for Kimble to prove his innocence and you root for Gerard to do his job.

Andrew Davis stages the action with a documentary-like immediacy. The train crash is one of the great practical effects sequences in cinema — a real locomotive was derailed into a real bus, and the footage is viscerally terrifying. The dam jump, the St. Patrick’s Day parade chase, the hospital sequence where Kimble impersonates a janitor — every set piece raises the stakes while maintaining the film’s grounded reality.

Tommy Lee Jones won the Academy Award for Best Supporting Actor, and the film earned $368 million on a $44 million budget. It is the definitive adaptation of a TV series, the best wrongful-accusation thriller ever made, and proof that Harrison Ford at his peak was the most reliable action star in Hollywood.

Fun Facts

The train derailment used a real locomotive and was one of the most expensive practical stunts ever filmed at the time.

Tommy Lee Jones improvised ‘I don’t care’ — one of the most quoted lines in 1990s cinema.

Harrison Ford performed many of his own stunts, including running through the real St. Patrick’s Day parade in Chicago.

The film was largely unscripted — Davis and Ford reworked scenes daily on set, giving the film its documentary-like energy.

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