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THE SCREW KING

He inherited two employees and a box of screws. He built an empire of 400 companies.

Written by Glen Bradford • With AI Assistance (Claude by Anthropic)

Disclaimer: This screenplay is a dramatized work of fiction inspired by publicly available information about Reinhold Wuerth's life and career. Dialogue, scenes, and private interactions are invented for dramatic purposes and should not be taken as factual accounts. No claim is made to represent the actual words or private thoughts of any real person.

Cast

Christoph Waltz

as Reinhold Wuerth

Bruno Ganz

as Adolf Wuerth (Father)

Nina Hoss

as Carmen Wuerth (Wife)

Sandra Huller

as Bettina Wuerth (Daughter)

August Diehl

as Kurt Hahn (CFO)

ACT ONE

THE INHERITANCE

INT. WUERTH SCREW SHOP — KUENZELSAU, GERMANY — 1945 — DAY

A tiny shop in postwar Swabia. Wooden shelves hold metal bins of screws, bolts, and nails. Dust motes float through a single window. ADOLF WUERTH, 50s, gaunt and weathered, sorts hardware with arthritic hands. His son REINHOLD, 10, sweeps the floor with fierce concentration.

ADOLF

((holding up a screw))

Do you know what this is, Reinhold?

YOUNG REINHOLD

A screw, Papa.

ADOLF

No. It is a promise. A promise that two pieces of wood will hold together. That a machine will not fall apart. That a bridge will stand. The man who sells these sells trust.

Reinhold takes the screw, examines it carefully, puts it in his pocket.

INT. WUERTH SCREW SHOP — 1954 — DAY

Nine years later. Reinhold is 19.

The shop is unchanged. REINHOLD, now 19, lean and intense, stands behind the counter. His father lies on a cot in the back room, coughing violently. TWO EMPLOYEES — ERNST, 60s, and HELGA, 40s — work silently.

ERNST

((whispering to Helga))

The boy cannot run this. He is nineteen. He has no degree. No connections.

HELGA

His father built this from nothing after the war.

ERNST

His father is dying.

Reinhold enters from the back room. His eyes are red but his jaw is set.

REINHOLD

My father passed twenty minutes ago. We will close today to mourn. Tomorrow, we open at six instead of eight.

ERNST

Six? Why?

REINHOLD

Because the craftsmen start work at seven, and they will need screws before they begin. We will be the first shop they see.

EXT. SWABIAN COUNTRYSIDE — 1955 — DAY

Reinhold drives a battered VAN along rural roads, the back loaded with sample cases of screws. He pulls up to a MACHINE SHOP, jumps out, straightens his tie.

REINHOLD

((to himself))

Sixty-seven shops today. Sixty-seven.

He walks in. The OWNER barely looks up.

SHOP OWNER

We have a screw supplier.

REINHOLD

You have a screw supplier who delivers on Tuesdays. I will deliver any day you need. Any hour. You call at midnight, I come at midnight.

SHOP OWNER

Nobody delivers screws at midnight.

REINHOLD

That is why you should buy from me.

INT. WUERTH OFFICE — KUENZELSAU — 1960 — NIGHT

Revenue: 2.3 million Deutsche Marks. 30 employees.

A small office, now expanded from the original shop. Reinhold works by lamplight, studying a MAP of Germany covered in pins — each one a customer. CARMEN WUERTH, late 20s, beautiful and practical, brings him coffee.

CARMEN

You have not slept in two days.

REINHOLD

Look at this map. Every pin is a customer. But look at the spaces between the pins. That is where the money is.

CARMEN

The money is in empty space?

REINHOLD

The money is in the places no one is serving. Every village has a carpenter. Every carpenter needs screws. I need a salesman in every district in Germany.

CARMEN

That is hundreds of salesmen.

REINHOLD

((smiling))

Thousands, eventually.

CUT TO:

ACT TWO

THE MACHINE

INT. WUERTH SALES CONFERENCE — HOTEL BALLROOM — 1970 — DAY

Revenue: 100 million Deutsche Marks. 3,000 employees.

A packed ballroom. HUNDREDS OF SALESMEN in identical suits watch as Reinhold, now 35, commands the stage with evangelical intensity. Behind him: a giant chart showing exponential revenue growth.

REINHOLD

Every one of you will make twenty-five customer visits per day. Not twenty. Not twenty-four. Twenty-five. You will document each visit. You will record what they bought, what they rejected, and what their wife's name is. You will remember birthdays.

SALESMAN IN CROWD

Herr Wuerth, some districts are too spread out for twenty-five—

REINHOLD

((interrupting))

Then drive faster.

Nervous laughter. Reinhold does not smile.

REINHOLD

((continuing))

I started with two employees and a box of screws. Two. I did not complain about distances. I did not complain about the weather. I complained about one thing only: not selling enough screws. That is the only complaint I will accept from any of you.

INT. WUERTH BOARDROOM — 1975 — DAY

A modern boardroom. KURT HAHN, 40s, the new CFO, presents financials. Reinhold listens, arms crossed.

KURT

We could diversify. Electronics fasteners. Aerospace components. Chemical anchors.

REINHOLD

Will they be sold by our salesmen, face to face, at the customer's workshop?

KURT

Some products require a different distribution—

REINHOLD

Then no. Our system works because of the relationship between one salesman and one craftsman. If we change the system, we lose the relationship. If we lose the relationship, we become just another catalog.

KURT

But the product range—

REINHOLD

Expand the product range. Keep the salesmen. A salesman who sells screws today can sell chemical anchors tomorrow. The product changes. The handshake does not.

INT. COMPETITOR'S OFFICE — STUTTGART — 1978 — DAY

A rival fastener company's boardroom. EXECUTIVES stare at a report in disbelief.

COMPETITOR CEO

He has eight thousand salesmen. Eight thousand. Going door to door. Selling screws. Like it's 1950.

COMPETITOR VP

His margins must be terrible with that overhead.

COMPETITOR CEO

His margins are higher than ours. His repeat-customer rate is ninety-four percent. He knows every carpenter in Germany by first name.

COMPETITOR VP

How do we compete with that?

Long silence.

COMPETITOR CEO

We don't. We sell the company.

INT. ART GALLERY — MUNICH — 1980 — EVENING

Reinhold and Carmen walk through a private gallery viewing. Reinhold stops before a CRANACH painting of the Madonna, transfixed.

CARMEN

You are looking at that painting the way you look at quarterly reports.

REINHOLD

This was painted in 1525. It has survived wars, fires, the Reformation, Napoleon, two world wars. It is still here. Still beautiful. Do you know what that means?

CARMEN

That it was well cared for?

REINHOLD

That permanence exists. That something can be built to last five hundred years. I want to build something like that. And I want to own things like that.

He signals the GALLERY OWNER.

REINHOLD

((continuing))

I will take it.

CUT TO:

ACT THREE

THE EMPIRE

INT. WUERTH GROUP HQ — KUENZELSAU — 1994 — DAY

Revenue: 5 billion Deutsche Marks. 30,000 employees. 200+ companies worldwide.

A sprawling modern campus has replaced the old shop. Reinhold, now 59, walks through corridors lined with OLD MASTERS paintings — Picasso, Monet, Edvard Munch. Employees nod deferentially as he passes.

REINHOLD

((to an assistant))

How many companies do we own now?

ASSISTANT

Two hundred and twelve, Herr Wuerth.

REINHOLD

And how many sell fastening products?

ASSISTANT

All of them, sir.

REINHOLD

Good. The day we own a company that does not involve putting two things together, fire me.

INT. WUERTH MUSEUM — KUENZELSAU — 2001 — DAY

A world-class museum in the middle of a small Swabian town. Reinhold walks through galleries displaying his art collection — now one of the largest private collections in Europe. A JOURNALIST follows him.

JOURNALIST

Herr Wuerth, your art collection is valued at over a billion euros. Some say it is eccentric for a screw salesman to collect Old Masters.

REINHOLD

I am not a screw salesman. I am a man who understands value. A Cranach painting and a perfectly engineered screw have one thing in common — they are both masterworks of precision. Both will outlast us.

JOURNALIST

You built this museum in Kuenzelsau. Population nine thousand. Why not Berlin? Stuttgart?

REINHOLD

Because Kuenzelsau is where I started. A company that forgets where it came from deserves to fail. The people of this town gave me my first customers. They deserve Picasso.

INT. WUERTH BOARDROOM — 2006 — DAY

A succession meeting. Reinhold, 71, sits at the head of the table. His daughter BETTINA WUERTH, 40s, composed and sharp, sits to his right. BOARD MEMBERS fill the room.

BOARD MEMBER

Herr Wuerth, the advisory board recommends a professional CEO. Someone from outside the family. Someone with—

REINHOLD

Someone with what? An MBA? I built this company without a university degree. I built it with screws, handshakes, and the understanding that the customer is not always right — but you must always make him feel that he is.

BETTINA

Father, times have changed. We need governance structures. A family council. Transparency.

Reinhold stares at her for a long moment. Something softens in his face.

REINHOLD

You sound like your mother. She was always right too. Fine. We create a foundation. The family retains influence, but the company is protected from any one person's ego. Including mine.

INT. WUERTH HQ — CHAIRMAN'S OFFICE — 2010 — EVENING

Reinhold, 75, alone in his office. On his desk: a SINGLE SCREW — the same one his father gave him in 1945. The city of Kuenzelsau glows below. He picks up the screw.

My father gave me this screw when I was ten years old. He told me it was a promise. I have spent my entire life keeping that promise. Two employees became eighty thousand. One shop became four hundred companies. One screw became everything you can possibly fasten, glue, anchor, or bolt. But it all comes back to this.

He places the screw back on its small wooden stand.

REINHOLD

((quietly))

Thank you, Papa.

CUT TO:

ACT FOUR

THE LEGACY

EXT. KUENZELSAU — AERIAL SHOT — 2015 — DAY

Revenue: 11 billion euros. 77,000 employees. 400+ companies in 80 countries.

The camera soars over the small Swabian town. The Wuerth campus dominates the landscape — modern buildings, the art museum, a conference center. The town that once had a two-employee screw shop now hosts a global headquarters.

INT. WUERTH MUSEUM — PRIVATE GALLERY — 2018 — DAY

Reinhold, now 83, walks slowly through his newest gallery. Eighteen thousand works of art surround him. He stops before the Cranach Madonna — the first painting he ever bought.

REINHOLD

((to a young employee))

Do you know why I built all of this?

YOUNG EMPLOYEE

Because you love art, Herr Wuerth?

REINHOLD

Because I love permanence. Screws hold the world together. Art holds the soul together. A man needs both.

INT. WUERTH HQ — LOBBY — 2020 — DAY

A framed photograph hangs in the lobby: ADOLF WUERTH in his tiny shop, 1945. Below it, a glass case holds a single screw — the original. A PLAQUE reads: "From two employees to 80,000. From one screw to everything that holds the world together."

Reinhold stands before it, Carmen beside him. He is 85. His back is bent but his eyes are sharp.

CARMEN

You did what your father asked.

REINHOLD

I sold trust. That is all I ever did.

He reaches into his jacket pocket. Pulls out a screw — the same one, worn smooth by decades of handling. He turns it in his fingers, holds it up to the light.

Reinhold Wuerth built the Wuerth Group from a two-employee screw shop into the world's largest distributor of fasteners and assembly materials — over 400 companies, 80,000 employees, and revenues exceeding 19 billion euros. His private art collection, numbering over 18,000 works, is one of the largest in Europe. He never earned a university degree. He still lives in Kuenzelsau.

FADE OUT.

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